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巴赫金的时空体理论首次将长篇小说中的时间和空间元素放置在密不可分的坐标之中,共同定位和阐释艺术作品。本文通过梳理巴赫金对时空体概念的相关阐释,将时空体的内涵由抽象至具象做三层分类——从时空关系审视世界的世界观、情节组织的功能场、具体可感的艺术形象。这三层内涵是由对人的价值关注贯穿起来的,三层内涵之间可以互相渗透和包含,也各自有着无穷增殖的可能性。时空体以其对人自身及世界的反思,成为巴赫金思想体系中重要的一部分。时空体已逐渐成为具有丰富阐释力和跨学科意义的学术增长点,对其内涵的重新校验将有助于时空体在当代语境中更准确地发挥其理论参照功能。
Abstract：Bakhtin's concept of chronotope places the elements of time and space,for the first time,in a joint coordinate in order to interpret works of art.This paper classifies the connotation of chronotope into three levels from abstract to concrete by clearing up Bakhtin's interpretation of it:the world view from spatial-temporal perspective,the functional field of plot organization,and the concrete artistic image.These three layers of connotation are embodied by the attention to the value of people.Besides,they can infiltrate or contain each other,and are endlessly proliferative.Chronotope has become a significant part of Bakhtin's ideology system due to its ref lections on human beings and the world.Chronotope has gradually become an academic growth point rich in interpretative possibilities and interdisciplinary meaning.Thus,recalibration of its connotation boundaries will help this concept exer t its f unction as theoretical reference in contemporar y context.
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基本信息:
DOI：10.16238/j.cnki.rla.2018.04.006
中图分类号:I512.074
引用信息:
[1]薛亘华.巴赫金时空体理论的内涵[J].俄罗斯文艺,2018(04):36-41.DOI:10.16238/j.cnki.rla.2018.04.006.