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作为对莱辛《拉奥孔》的反驳,钱锺书在《读<拉奥孔>》中指出诗歌的表现面比莱辛所想的更广阔。然而,钱锺书仅是利用诗歌作品反驳莱辛,却并未在美学理论上反驳莱辛。本文结合巴赫金的时空体理论探讨了文学作品中的时间与空间问题,并对钱锺书得以援引大量中国诗歌反驳莱辛进行了理论解释,同时论述了时空体理论与"境界说"的契合之处。最终指出,时空体与境界说是钱锺书对莱辛的反驳得以成立的理论根基。
Abstract：As the refutation of Lessing's Laocoon, in On Reading Laocoon,Qian Zhongshu points out that the expressive function of poems is better than that in Lessing's opinion. However, Qian Zhongshu only utilizes the poetic works to retort Lessing, without using the aesthetic theory. Based on Bakhtin's theory of Chronotope, this article analyzes the topic of time and space in literary works, and explains Qian Zhongshu's refutation which cites a large number of Chinese poems in theoretical level. Meanwhile, this article discusses the common ground of Chronotope and "Jing Jie", and points out that Chronotope and "Jing Jie" are the theoretical foundation of Qian Zhongshu's explainable refutation of Lessing.
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基本信息:
DOI：10.16238/j.cnki.rla.2018.01.012
中图分类号:I0
引用信息:
[1]毕晓.钱锺书《读〈拉奥孔〉》的理论根基——时空体与境界说[J].俄罗斯文艺,2018(01):89-96.DOI:10.16238/j.cnki.rla.2018.01.012.
基金信息: