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2015, 04, 112-117
从巴赫金的狂欢化理论看日本动漫的喜剧符号
基金项目(Foundation): “江苏高校优势学科建设工程二期项目”的研究成果(优势学科代码:20140901)
邮箱(Email):
DOI: 10.16238/j.cnki.rla.2015.04.018
摘要:

巴赫金的思想涉及几乎所有的人文学科,其影响力已渗透到各个学科中。作为巴赫金思想体系的重要组成部分,狂欢化理论不仅受到俄苏文学界与理论界的重视,也引起了世界各国相关领域学者们的兴趣和关注。随着比较文化研究的兴起,巴赫金的狂欢化理论也成为研究大众流行文化的热门话题。本文试图从巴赫金狂欢化理论的视角分析日本动漫的喜剧符号及其在全球范围广受欢迎的合理性,并且试图以当前流行的日本动漫大众文化现象为现实参照,寻求对我国大众文化发展的启示意义。

Abstract:

Bakhtin's thoughts are related to nearly all the humanities and their influences have permeated into all the branches of learning. As an important part of Bakhtin's philosophy, carnivalization has drawn the attention not only of the Russian literary and theoretical circles but also of the worldwide scholars in various areas. With the rise of comparative cultural studies, Bakhtin's carnivalization has become a hot topic in studying mass culture. This paper attempts to analyze the comic signs in Japanese anime and the reasons for which they enjoy great popularity all over the world. Taking as real reference the popular mass culture of Japanese anime, this paper seeks to explore the implications of Japanese anime to the development of the mass culture in China.

参考文献

[1][英]阿雷恩·鲍尔德温:文化研究导论(修订版)[M].陶东风译,高等教育出版社,2007。

[2]陈奇佳:日本动漫艺术概论[M],上海交通大学出版社,2006。

[3]钟敬文:文学狂欢化思想与狂欢[N],光明日报,1999-1-28。

[4][苏]巴赫金:巴赫金全集[M],钱中文等译,河北教育出版社,1998。

[5]陈奇佳,宋晖:日本动漫影响力调查报告[M],人民出版社,2009。

[6]刘康:对话的喧声:巴赫汀文化理论述评[M],台北:麦田出版公司,1995。

基本信息:

DOI:10.16238/j.cnki.rla.2015.04.018

中图分类号:J218.2

引用信息:

[1]池建新.从巴赫金的狂欢化理论看日本动漫的喜剧符号[J].俄罗斯文艺,2015(04):112-117.DOI:10.16238/j.cnki.rla.2015.04.018.

基金信息:

“江苏高校优势学科建设工程二期项目”的研究成果(优势学科代码:20140901)

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