俄罗斯文艺

本文探讨了20世纪20年代初期作为一种独特艺术现象的俄国表现主义的发展史。俄罗斯的表现主义是在现实主义、象征主义、阿克梅主义和未来主义创作资源的基础上形成的风格多样的一种艺术形态。表现主义诗学的本质特征是最大限度的表达个体感受,"最大限度的表现力和感受的积极性。"这一时期,除了伊波利特·索科洛夫的表现主义,还有瓦基姆·舍尔舍涅维奇为代表的意象主义。仔细研究意象主义和表现主义团体的活动,可以得出这样一个合理的结论,即它们是俄罗斯未来主义的有机延续和发展。在与欧洲的意象主义和表现主义交流中,它们将自己的发现寓于新的、有机且独特的艺术语言中。

This article deals with the history of Russian Expressionism as a unique artistic phenomenon of the beginning of the 1920 s. Russian Expressionism was formed on the basis of interaction of realistic, symbolic, akmeistic, futuristic creative potentials.The essence of expressionist poetry was to achieve the utmost expressiveness of human feelings, "the maximum expressiveness and the dynamics of perception". In parallel to expressionism of Hippolyt Sokolov was developed imagism, proclaimed by Vadim Shershenevich. Careful consideration of the activities of imagists and expressionistic groups can come to a reasoned conclusion that they were organic continuation and development of Russian futurism. When in contact with the European imagism and Expressionism they embodied their own findings in the new, organic and unique language of art