俄罗斯文艺

先锋主义是现代的,但本身又具有强烈的宗教性,看似矛盾的两种特质实际上却有千丝万缕的联系。先锋主义与圣愚一样,关注用语言难以表达的东西,喜欢打破权威,反对偶像崇拜。他们把丑提升成美,否定社会公认的美学标准。这种否定究竟是消灭了信仰还是让信仰得以净化?不同于接受经典作品的"理解"和"审美享受"两个原则,先锋主义作品中审美主客体的距离被拉大,对作品的阐释也可以多种多样。观众与作品之间的"怀疑"只有通过信仰才能解决。先锋主义不为现实生活塑形,而是展示打破形象性的过程。它并不依赖刻画宗教实物来体现宗教性,而是着重表达神圣的状态和情感,这正与第二戒律的精神相吻合。

Avant-garde art is modern, but also has a strong religious nature. In fact, the two seemingly contradictory characteristics are inextricably linked. Avant-garde artists, like God's fools, pay attention to things that are difficult to express in words, like to break down authority and oppose idolatry. They upgrade ugliness to beauty and deny the official aesthetic standards. Does this negation ruin faith or purify it? Different from the two principles of "understanding" and "aesthetic enjoyment" in accepting classical works, the distance between aesthetic subject and object in avant-garde works is widened, and the interpretation of works can be varied. The "doubt" between the audience and the works can only be solved through faith. Avant-garde artists do not shape real life, but show the process of breaking the image. They do not rely on the description of religious objects, but focus on the expression of holy state and emotions, which coincide naturally with the spirit of the second commandment.