俄罗斯文艺

上世纪60年代,阿克肖诺夫的《带星星的火车票》和塞林格的《麦田里的守望者》都作为"内部批判"的"黄皮书"被首次译介到中国大陆。两部小说中的"叛逆青春"也由此进入中国读者身处的政治、文化语境之中,引发不尽相同的接受、解读和衍生。这固然与两部小说自身的源出语境与个中叙事特质有着紧密关联,同时处在特定时代环境中的中国读者作为两则"成长叙事"的受众,其对于小说中人物经历、成长体验的理解、投射和阐发,也自然受到其主体性的文化心理、审美诉求的影响和规约,而这一过程也突出地体现在王朔、刘索拉、徐星等中国作家的"成长书写"之中。

During the 1960s,as the internal reference "yellow books",A Ticket to the Stars by Aksyonov and The Catcher in the Rye by Salinger were translated into Chinese in mainland China for the first time.The "youth in revolt" in the two novels appeared in the Chinese political and cultural context,resulting in readers' different acceptances,interpretations and derivatives.Admittedly,that has something to do with the specific context and the narration characteristics of the two novels.At the same time,as the audience of the two "narratives about juvenile growth" in the particular era and society,Chinese readers' understandings and interpretations of the growth experiences of the characters in the novels were affected by their subjective cultural psychology and aesthetic appeals,which has been embodied in the writings of the growth novels by such Chinese writers as Wang Shuo,Liu Suola and Xu Xing.