俄罗斯文艺

研究者一般认为契诃夫作品情节淡化，为抒情性叙事结构，然而，其后期作品结构中反复出现某个瞬间，并引发了小说情节的突转。从瞬间发生前后主人公体验差异看，这一瞬间具有事件性特征。瞬间时“突然”与“不知什么缘故”的表象特征所体现的荒谬，源于“我”的存在。瞬间之后，面对存在，作品人物既没有走向抗争，也没有选择宗教信仰，而是陷入了虚无，这赋予文本绝望风格。对这一结构的研究，可以从文本的形式与内容的关系角度阐释契诃夫文本经典的生成机制，及其能与不同时代进行对话的根本原因。

In academic circles, it is generally believed that the plot of Chekhov's works is desalinated as a lyric narrative structure, but a certain moment appears repeatedly in the structure of his works, which leads to the sudden turn of the plot of the novel. From the perspective of the difference of the protagonist's experience before and after the sudden turn, this moment has the characteristics of events, and the appearance characteristics of “sudden” and “somehow” embody the absurdity of existence, which lies in the existence of “I”. After the sudden turn of the moment, in the face of the freedom of existence, the characters neither fight nor choose religious beliefs, but fall into the nothingness of existence, which endows the text with the style of despair. The study of this structure can explain the generating mechanism of Chekhov's classics and the fundamental reasons for dialogue with different times from the point of view of the relationship between the form and content of the text.