俄罗斯文艺

梅列日科夫斯基认为古希腊神话体现了人以及人类文化对人性完整、和谐的追求，他选择创作意大利文艺复兴格调的小说，意在把自己的宗教探索视为对古希腊罗马文化在世纪之交俄国的“复兴”。梅氏的小说拓展了古希腊神话的艺术表现形式，作家以神话原型叙事的方式表现其对世纪之交现实的隐喻，以古希腊神话范式展开历史小说叙事，通过对古希腊神话的读解和释悟构建其乌托邦的理想世界。总之，梅氏小说中的古希腊神话叙事体现了作家对现实、历史以及人类未来的审视及理性思辨，是以生存的视角、生命意识对人类命运的观照，是梅氏“第三约”新宗教观念的载体，其小说具有主观性、神秘性的诗学特征。

Merezkovsky had a particular attachment to ancient Greek mythology,believing that it reflects Man's pursuit of human integrity and harmony. He wrote novels with an Italian Renaissance style for the purpose of setting his religious exploration as a “revival” of Greco-Roman culture in Russia at the turn of the century. Merezkovsky's novels enrich the artistic expressions of ancient Greek mythology, through metaphorizing the reality with mythological archetypical narratives, carrying out his historical novel narrative with the paradigm of ancient Greek mythology, and constructing his ideal world via the construal and interpretation of ancient Greek mythology. In short, the ancient Greek mythos narrated in Merezhkovsky's novels, which vividly illustrate the author's meditation on reality, history and the future of humanity, are the reflection of human destiny from the perspective of survival and life consciousness, the carrier of his new religious concept of the “Third Covenant”, and the presentation of his poetics of subjectivity and mystery.