俄罗斯文艺

俄国形式主义在其鼎盛时期曾经就当时还处于默片时期的电影理论和实践问题出版过专门的文集,这是他们固有的理论向相邻领域的进一步延伸。但遗憾的是,这本文集却几乎淹没在历史的尘埃中。俄国形式主义对于电影美学与电影理论究竟有过哪些有价值的建树,这是作者在本文中所关心的核心问题。在电影由默片向有声片发展的历史转折关头,俄国形式主义者们为现代"电影符号学"奠定了坚实的基础。但电影符号学仅仅只是俄国形式主义差异论美学的衍射形态,其与当今电影理论的深刻关联说明俄国形式主义的理论精髓今天依然以潜在的形态活跃在理论思维中。

In its heyday, Russian formalism published a collection of papers on the issues of movie theories and their applications at a time of silent movies.It was the further development of Russian formalist theory into neighboring fields.But unfortunately, the collection of papers was buried under the dust of history.What valuable contributions Russian formalism made on movie aesthetics and theories are the core issues the author is concerned with in this paper.At the turning point of movie development from silent to sound films, Russian formalists laid a solid foundation for modern "movie semiotics".But movie semiotics is only a kind of diffraction of the difference aesthetics of Russian formalism, and its close relationship with contemporary movie theory shows that the theoretical quintessence of Russian formalism still exists in people's mind in a potential manner.