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文章主要探讨世界文学的“多元化”，以苏联时期的世界文学为例证明并不存在世界文学本体，而存在相当不同的复数的世界文学；同时，苏联知识分子从系统的非西方中心视角看待世界文学，具体体现为四个关于“世界文学”的历史定义，区别了三种不同文化和意识形态视野的思考，以此解构世界文学观念西方化的主导方法，呈现了苏联知识分子对世界文学始终秉持的一种多元态度。
Abstract：The article primarily explores the “multiplication” of world literature, using the Soviet-era world literature as an example to demonstrate that there is no single essence of world literature, but rather multiple, significantly different world literatures. Simultaneously, Soviet intellectuals approached world literature from a systematically non-Occidentocentric perspective, manifested through four historical definitions of “world literature.” These definitions distinguished three distinct cultural and ideological frameworks of thought, thereby deconstructing the dominant Westernized methodology of conceptualizing world literature and revealing the consistently pluralistic stance held by Soviet intellectuals toward the subject.
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基本信息:
DOI：10.16238/j.cnki.rla.2026.01.010
中图分类号:I512.06
引用信息:
[1]加林·季哈诺夫,陈永国.苏联时期的世界文学：语境和思想视野[J].俄罗斯文艺,2026(01):17-29.DOI:10.16238/j.cnki.rla.2026.01.010.
2026-01-15
2026-01-15