俄罗斯文艺

在离散与跨文化语境中，族裔身份与个体身份认同常处于张力之中。米哈伊尔·朴的小说《越过黑暗的门槛》以中亚朝鲜移民聚居区为背景，通过对日常生活空间失序、父权结构失效及族群伦理紊乱的描写，呈现出族裔共同体赖以维系秩序与认同的现实基础瓦解的过程。主人公康日白对族裔认同的否定是对失效的认同结构的抗拒性回应；在切断与旧有族裔秩序的联系之后，他并未停留于单纯的逃离，而是在异族文化资源介入下，通过对价值取向、社会角色与生存方式的重新选择，逐步形成面向未来的规划性认同。本文借助卡斯特关于合法性认同、抗拒性认同与规划性认同的理论区分，指出该小说呈现了离散个体在原本族裔认同崩塌后认同重构的动态过程，为跨文化语境下的族裔认同研究提供另一理解视角。

In diasporic and cross-cultural contexts, tensions often arise between ethnic identity and individual identity formation. Mikhail Park's novel, Crossing the Threshold of Darkness, set in a Central Asian Korean migrant community, depicts the disintegration of the social foundations that once sustained communal order and ethnic identification through representations of disordered everyday spaces, the dysfunction of patriarchal structures, and the breakdown of internal ethical norms. The protagonist Kang Il-baek's rejection of ethnic identification does not constitute a simple cultural betrayal but rather an oppositional response to an identity structure that has lost its normative force. After severing ties with the former ethnic order, he does not remain in a state of mere fight or negation; instead, through the intervention of non-ethnic cultural resources, he gradually constructs a future-oriented project identity by reselecting his value orientations, social roles, and modes of existence. Drawing on Manuel Castells' s distinction between legitimizing identity, resistance identity, and project identity, this article argues that the novel presents a dynamic process of identity reconstruction following the collapse of ethnic identifcation, thereby ofering an alternative perspective for understanding ethnic identity formation in cross-cultural contexts.